At a young age, Shemekia Copeland is already a force to be reckoned with in the blues. While still in her 20s, she's opened for the Rolling Stones, headlined at the Chicago Blues Festival and numerous festivals around the world, scored critics choice awards on both sides of the Atlantic (The New York Times and The Times of London) and shared the stage with such luminaries as Buddy Guy, B.B. King, Taj Mahal and John Mayer. Heir to the rich tradition of soul-drenched divas like Ruth Brown, Etta James and Koko Taylor, Copeland's shot at the eventual title of Queen of the Blues is pretty clear. By some standards, she may already be there.

Copeland's passion for singing, matched with her huge, blast-furnace voice, gives her music a timeless power and a heart-pounding urgency. Her music comes from deep within her soul and from the streets where she grew up, surrounded by the everyday sounds of the city â€" street performers, gospel singers, blasting radios, bands in local parks and so much more.

Born in Harlem, New York, in 1979, Copeland actually came to her singing career slowly. Her father, the late Texas blues guitar legend Johnny Clyde Copeland, recognized his daughter's talent early on. He always encouraged her to sing at home, and even brought her on stage to sing at Harlem's famed Cotton Club when she was just eight. At the time, Shemekia's embarrassment outweighed her desire to sing. But when she was fifteen and her father's health began to fail, her outlook changed. "It was like a switch went off in my head, and I wanted to sing," she says. "It became a want and a need. I had to do it."

She joined Telarc International for the February 2009 release of Never Going Back. This new chapter in the Shemekia Copeland story represents a crossroads on her ongoing artistic journey â€" a place where numerous new avenues are open to her. While she will always remain loyal to her blues roots, Never Going Back takes a more forward view of the blues, and in so doing points her music and her career in a new direction.

"I've had success in my career, and I'm happy with that," she says. "But that doesn't mean I don't want to continue to grow. In order for an artist to grow â€" and for a genre to grow â€" you have to do new things. I'm extremely proud to say I'm a blues singer, but that doesn't mean that's the only thing I'm capable of singing, or that's the only style of music I'm capable of making."

She adds: "I want to keep growing. My main goal when I started this was that I was going to do something different with this music, so that this music could evolve and grow. I got that idea from my father. He didn't do the typical one-four-five blues. He went to Africa and worked with musicians there. He was one of the first blues artists to do that. I want to be the same way. I want to be innovative with the blues."